His style during this period encompassed a lot of lead melodic playing utilising the instrument’s top register, rather than simply holding down the low end. [8], In 1999, he began working with Richard Ashcroft of The Verve on Ashcroft's debut solo album, Alone With Everybody.[9]. Cardiff, Wales, United Kingdom. He bought his first fretless bass one year later, playing mostly R&B, funk and reggae with a rock and roll backbeat. He cites as early influences James Jamerson, Danny Thompson, and Norman Watt-Roy and also admires Jaco Pastorius, Stanley Clarke, Bootsy Collins, Larry Graham, Michael Henderson, Anthony Jackson, Marcus Miller, and Rocco Prestia.[7]. The bass on Voodoo is round and woozy. Pino Palladino is perhaps the quietest (and by far the most Welsh, if you will) member of the renowned early 2000’s hip-hop/R&B collective known as the Soulquarians (which includes Erykah Badu, The Roots, Common, and Mos Def among others). He received offers to record with Joan Armatrading, Go West, and David Gilmour. D'Angelo explained to me the concept of how he wanted the bass … And while that may be somewhat true, unknown to some, Pino has formidable chops and facility on the bass and can certainly solo with the best of them.Just check out Pino's blazing solo fretless lines on his 5 string Musicman Stingray with Manu Katche on drums and Dominic Miller on guitar. I have the D'Angelo album (Voodoo) - I really quite like it and the bass is excellent R and B style. Those youtube vids do not do him justice, you need to hear that live trio cd of Mayers to really hear Pino. The 63-year-old Welshman is known for his glissando tone and melodic fills, and he … Palladino became the band's bass guitarist on tour. While in Philadelphia wrapping up work on the MC’s 2002 album Electric Circus, the bassist rang his wife, Maz, who informed him he probably wouldn’t be leaving America. It was during this steady schedule of studio work that Pino took a call that would once again cement his place as one of the most admired bassists in contemporary music. Since beginning his professional career in the 1980s, he has become one of the most prolific and sought-after session bassists in most genres: his credits appear on more than 600 (and still counting) recordings. Typical of this style was his playing on Paul Young's … King at the time of Voodoos earlier sessions. He was one of the most instantly recognizable voices on fretless bass. 7.7/10 Favorite Track: Ekuté Least Favorite Track: Notes With Attachments As far as bassists go, Pino Palladino is considered one of the greatest of all time. While you can achieve the “Pino" sound on any instrument, many bassists attribute the extra Voodoo voodoo to these gear choices. He also plays a Moon Bass, which he used extensively for the D’Angelo Voodoo tour back in 2002. Palladino is noted for his use of the fretless bass on many albums. Pino can fit in more situations and blend in like he's a natural than most any other player I know of. The Fender Pino Palladino Signature Precision Bass is modeled after two of Pino's Fender Precision Basses. Pino Palladino and Blake Mills are two musicians of different generations and different musical paths, but with curiously parallel career experiences. Pino is on a few of the tracks on Brown Sugar as well. View credits, reviews, tracks and shop for the 2000 CD release of "Voodoo" on Discogs. Since the 1980s, this session and live bassist is among the most prolific, gifted, and sought after by musicians of all genres. And as for his strings, he uses Rotosound Swing Bass stainless steel mediums, which he prefers for the fretless sound, and Thomastiks or La Bella heavy gauge flatwounds for the P Bass. One of the world’s most celebrated bass players has worked with everyone from Adele to Elton John, the Who and D’Angelo. “We MUST take our hats off to Pino Palladino, his pocket and precision and carefully chosen notes on this record is an absolute tutorial in bass playing.” High praise indeed from someone who has drummed on and produced some of the most groove-laden albums of the past 20 years… Is Pino Palladino the most widely revered bass player of the moment? A thumping, bubbling, dominant presence devoid of the bright snappiness of the album's contemporaries. He didn't pull of the masterful playing on Voodoo by just trying to play random notes. Bass Players – Pino Palladino. The Who's bassist John Entwistle died the night before the start of their first tour in two years. By Thomas Semioli. [2], The son of a Welsh mother and Italian father (from Campobasso),[3] Giuseppe Henry Palladino[4] was born in Cardiff on 17 October 1957. Just listen to how Pino's killer bass line on Chicken Grease sits so lazily in the back of the pocket. Pino’s career is nothing short of jaw-dropping. Genres: Neo-Soul. From that point, he became the bass player of choice for recording artists in the new millennium, including Adele, Ed Sheeran, John Legend, and even Nine Inch Nails. He played with Melissa Etheridge, Richard Wright, Elton John, and Eric Clapton. He has also played Fender Jaguar Bass, Lakland Jazz Bass, and Larry Graham Signature JJ-4B Bass. In 2006, he joined the remaining band members on their first album in twenty-four years, Endless Wire. Voodoo in general is just amazing. Recorded and mixed at Electric Lady Studios, NY. King at the time of Voodoo ' s earlier sessions. A prolific session bassist, he has played bass for acts such as The Who,[1] the John Mayer Trio, Nine Inch Nails, Gary Numan, Jeff Beck and D'Angelo. It's important to include that Pino recorded most of Voodoo on a '63 Fender P Bass, with heavy-gauge La Bella strings (à la James Jamerson) tuned down a whole-step. Pino Palladino (John Mayer, The Who) functioned as the sonic anchor to Voodoo’s low-end theoretical design; the virtuoso bassist has been beside (and behind) D’Angelo for everything since. Typical of this style was his playing on Paul Young's Wherever I Lay My Hat. And again on the 2008 live DVD, Where The Light Is. Beginning a set that included the Jimi Hendrix song "Bold as Love", the three found a chemistry together. Pino Palladino shares stories from his time as a bass player accompanying D’Angelo, Erykah Badu, The Who, Elton John, and more. Palladino met Steve Jordan in the mid-1980s while both were working as session musicians, which blossomed into a friendship. MENU MENU. D'Angelo composed all of the bass lines for Voodoo and sequenced them for Welsh bassist Pino Palladino, whom he had met after being asked to do a duet with B.B. Pino continued to bolster his CV during the 1990s with sessions for the likes of Eric Clapton, Seal, Elton John, Tears for Fears, David Gilmour, Chaka Khan, Pete Townsend and Joan Armatrading, and jazzers such as Al Di Meola, John McClaughlin, David Sanborn and Chris Botti. Pino Palladino is noted for his use of the fretless bass in many 1980s chart records. Palladino is noted for his use of the fretless bass on many albums. One of the world’s most celebrated bass players has worked with everyone from Adele to Elton John, the Who … Voodoo, an Album by D'Angelo. For Voodoo's core rhythm trio, D'Angelo recruited his friend and colleague, the Roots' Afroed visionary Ahmir "Questlove" Thompson to play drums, and Welsh journeyman Pino … As a bass player, he’s merged his session-gained versatility with a deep mastery of groove. Melissa Etheridge. As the 1980s drew to a close the sound of Pino’s fretless MusicMan StingRay had become almost mandatory among studio producers of the day, with Pino often called in purely to overdub his sound over existing fretted bass tracks. “You just got a call from The Who’s management,” she continued. He reinvented himself as an R&B wizard in the 90s and evoked the spirit of John Entwistle with The Who in 2002, before easing into his current vintage-vibe with The John Mayer Trio. Executive produced for Cheeba Sounds Recordings. Fretless 1979 Music Man Stingray Palladino first made his name with this instrument in the 1980’s, playing on Gary Numan’s I, Assassin in 1982 and Don Henley’s Building The Perfect Beastin 1984. Fretless Pino Courtesy of Music Man Com Fretted Pino Courtesy of Fender Com. ... Voodoo. When bassist Willie Weeks was unable to make a John Mayer gig for the Tsunami Aid benefit concert in 2005, drummer Steve Jordan suggested they call Pino and the rest is history. Palladino’s greasy, fat, laid-back grooves on his ’63 P-Bass gave the recording an old-school vibe that had a large impact not only on bassists but on entire rhythm sections in general. Education can be expensive. The 63-year-old Welshman is known for his glissando tone and melodic fills, and he … Flatwound and vintage. [5], Palladino was drawn to Motown and jazz at an early age, and took classical guitar lessons. [10], In January 2011, he entered the studio with D'Angelo to finish recording Black Messiah. 7423 8 48499 2 4; CD). Pino Palladino is one of the most sought after and highly esteemed musicians of the past 30 years, known internationally for his versatile approach to bass playing. The move was originally inspired because he was using heavy-gauge La Bella flatwounds, which can be rough on bass necks. It was also around this time that he resurfaced in full on R&B groove mode, hitting unbelievable new heights with the epic 2000 recording, Voodoo by D’Angelo.The album’s greasy, laid back feel caused a huge buzz among rhythm sections everywhere, and led to a who’s who of hip hop artists summoning Pino and his 1963 P Bass to their studios. In 1988/89, Pino played on the Don Henley album The End Of Innocence playing on three tracks including the single New York Minute. He has a very deep understanding of music history and the role of the bass in it, including many different styles like rock, funk, old R&B, etc. [14], In 1992, Pino married Marilyn "Maz" Roberts, a member of Paul Young's vocal group, the Fabulous Wealthy Tarts. From neo-soul stalwarts to new pop upstarts, the … They have three children: Fabiana, Giancarla, and Rocco, who are all involved in the music industry. After recording an album with Tom Jones and B.B. While it was typical for a bass in a commercial track to have a rather generic sound and stay "playing the low notes", Palladino preferred a different sound, combining fretless tone with an octaver effect, and basslines that frequently added chords, lead lines, and counter-melodies in the higher range of the instrument. [12], In 2013, he played on the Nine Inch Nails album Hesitation Marks and was a member of the touring band. His playing on "Chicken Grease" and the cover of … Pino Palladino is a Welsh-born bassist, composer, and producer of Italian ancestry. Pino is also all over D’Angelo’s 2014 album, Black Messiah, Erykah Badu’s Mama’s Gun and Aijuswanaseeing by Musiq (Soulchild) which all serve as an amazing schooling in the way of the lowend.As the world ushered in the year 2000 Pino was about to reinvent himself yet again. Shit, Damn, Motherfucker is an incredible groove and def worth a listen. In a prolific and varied career as a session musician he has played with the likes of The Who, Bob Dylan, Joni Mitchell, Simon & Garfunkel, Herbie Hancock, and countless others. Pino Palladino is a Grammy Award winning songwriter, producer and bassist who helped create the rhythm-section sound of D’Angelo’s Voodoo and Black Messiah, and over a four-decade career has worked with artists including Keith Richards, Erykah Badu, Eric Clapton, Nine Inch Nails, Questlove, John Mayer, Paul Simon, Jeff Beck, Herbie Hancock and Adele. John Mayer. They recorded an album and toured as a trio.[10]. Contradictory as it sounds, Pino Palladino is possibly the most famous working session bassist. And as for his strings, he uses Rotosound Swing Bass stainless steel mediums, which he prefers for the fretless sound, and Thomastiks or La Bella heavy gauge flatwounds for the P Bass. Palladino’s most famous stretch came with The Who, when he stepped in after John Entwistle’s untimely death in 2002 to tour and record for two decades, playing probably the most famous bass … Here's a quote directly from Pino: The early 2000's saw Pino filling the bass chair with Simon and Garfunkel on their 2003 reunion tour and he was also drafted in for heavyweight album sessions with the likes of Adele, Ed Sheeran and even Nine Inch Nails. After a few listens, my first thought was "where's the bass?" My personal favorite Pino bass line can be heard on D'Angelo's "Voodoo" album released back in 2000! They thought … the timing’s kinda weird on it. A prolific session musician, he is perhaps best known for his bass playing on D'angelo's Voodoo (2000). Every time Pino Palladino has reinvented himself as a player the bass world has followed and the music he is supporting has prospered. A thumping, bubbling, dominant presence devoid of the bright snappiness of the album's contemporaries. Pino seems to favor these muddy, dark star like pups lately. Flatwound and vintage. Jordan credits Palladino's apparent ability to "feel" changes in music, through melodies, basslines, and an embrace of genres of nearly every kind. Rated #7 in the best albums of 2000, and #424 of all-time album.. On the recording, Pino mostly used his '63 Precision Bass, tuned down to D (DGCF). From the 1990s onward, Palladino has leaned mainly towards a Fender Precision Bass. Mastered at Sterling Sound, NY. While it was typical for a bass guitar in a commercial track to have a rather generic sound and stay "playing the low notes" Palladino preferred a different sound (combining fretless tone with an octave effect) and basslines that frequently added chords, lead lines and counter melodies in the higher range of the instrument as opposed to simply the afformentioned "low notes". Find Pino Palladino credit information on AllMusic. I love Pino Palladino's fretless bass on "Sunset Grill" the Don Henley song from 1985. April 30, 2015 by Paul Wolfe. Pino Palladino (17 October 1957 in Cardiff, Wales, UK) is a Welsh bass guitarist of Italian ancestry. Pino was a key contributor to this album, even though almost all of the bass lines were written by D’Angelo, he still had a lot of freedom to put his own flair to these songs. Giuseppe Henry "Pino" Palladino (born 17 October 1957) is a Welsh musician, songwriter, and record producer. He’d tried out a few fretted Music Man basses before but thought they sounded too trebly, but with this particular bass, which I think is a 1979 sunburst model with a rosewood board, he found a warmer more versatile sound and the rest is history.Other basses in his early career included a fretless Pedulla and a Warwick Thumb, but his move back to playing more vintage-style fretted basses was led by a number of P Basses from the early 60s, one of which the Fender Custom Shop chose to reproduce for his signature model, complete with Thomastik-Infeld strings. He’s the cat who orchestrated the fretless takeover of the instrument in the 1980s/90s. Pino Palladino’s resume is a who’s who of pop/rock music – he’s played with The Who, Paul Simon, Jeff Beck, John Meyer, D’Angelo, Erykah Badu, Eric Clapton, Paul Young, Pete Townsend, Elton John, Paul McCartney…the list goes on and on. View credits, reviews, tracks and shop for the 2000 CD release of "Voodoo" on Discogs. The important thing here is that Pino kicks ass with a big boot. And as for his strings, he uses Rotosound Swing Bass stainless steel mediums, which he prefers for the fretless sound, and Thomastiks or La Bella heavy gauge flatwounds for the P Bass. "Pino Palladino, pop's greatest bassist: 'I felt like a performing monkey! One of the world’s most celebrated bass players has worked with everyone from Adele to Elton John, the Who and D’Angelo. D’Angelo heard Pino’s work on a live B.B. Pino Palladino (John Mayer, The Who) functioned as the sonic anchor to Voodoo’s low-end theoretical design; the virtuoso bassist has been beside (and behind) D’Angelo for everything since. He played on Mike Lindup's first solo album, Changes with Dominic Miller on guitar and Manu Katché on drums. He also plays a Moon Bass, which he used extensively for the D’Angelo Voodoo tour back in 2002. View credits, reviews, tracks and shop for the 2015 Vinyl release of "Voodoo" on Discogs. Born in Cardiff, Wales, in 1957, Pino started out on classical guitar aged 14, moving over to electric bass three years later after discovering Motown and Stax Records, along with players like James Jamerson and Jaco Pastorius.In the early 80s he moved to London and landed the bass gig with ex-Squeeze keyboard player, Jools Holland. One of the world’s premier fretless bassists had well and truly arrived.Now it's easy to think that Pino is simply what we could refer to as a "groover". Contradictory as it sounds, Pino Palladino is possibly the most famous working session bassist. Additionally, he co-produced José James' album No Beginning No End (2013).[13]. Pino also played the subsequent Voodoo World Tour. NIN. Since the 1980s, this session and live bassist is among the most prolific, gifted, and sought after by musicians of all genres. Young's cover version of "Wherever I Lay My Hat (That's My Home)" by Marvin Gaye became a hit in Europe, and Palladino subsequently joined Young's band, the Royal family. Edit: I remembered wrong! Jan 21, 2009 #10 However, with Pino’s subtlety and pocket-playing, he kept the groove and added unexpected fills and flourishes in the perfect places. During the past four decades, Pino has spread his colossal bass grooves into all corners of contemporary music, in almost every conceivable style and genre. Published May 11, 2019 in Bass Players You Should Know. When another fabled bass player, Pink Floyd’s Guy Pratt, got married, he opened his groom’s speech with the words: “I’m only here today because Pino couldn’t make it.” Fender American Standard Jaguar Bass … He began playing guitar at age 14 and bass guitar at 17. Pino's Fender Signature P-Bass In 2000, he reinvented himself for D’Angelo’s legendary album, Voodoo, on which he used his Precision and Jazz Bass to lay down huge grooves that set the subwoofers trembling. With his new projects, he's proven that he can do the James Jamerson thing just as well as anybody can. ... Voodoo. Played mostly by Pino Palladino, with three tracks handled by guitarist/bassist Charlie Hunter, the bass sounds on Voodoo made bassists and producers everywhere take notice. The bass on Voodoo is round and woozy. The Who. In the liner notes to Light in the Attic's Voodoo vinyl reissue in 2013, Pino was quoted saying, "When my musician friends first heard the album, they were confused. Find Pino Palladino credit information on AllMusic. Pino had grown tired of the lead fretless sound, and he also felt the need to return to his love of the old R&B and soul bass sound. And while it’s no secret that he doesn’t read a note of music, and he’s never been one to rely on charts either, his intuitive understanding of the role of the bass and the responsibilities that go with it have ensured his standing as one of the most important bass players of all time. Played mostly by Pino Palladino, with three tracks handled by guitarist/bassist Charlie Hunter, the bass sounds on Voodoo made bassists and producers everywhere take notice. The eleven-track live album includes cover versions of "Wait Until Tomorrow" by Jimi Hendrix and "I Got A Woman" by Ray Charles, two songs from Mayer's album Heavier Things, and new songs by Mayer. Jaco Pastorius - Bass Players You Should Know, Marcus Miller - Bass Players You Should Know, A Masterclass in Bass Line Creation and R&B Bass. His sturdy, James Jamerson-on-lean basslines rode the “non-quantized” beats in a unique fashion, unveiling a syncopated vibe to the grooves that D liked to call “the grease.” Bass Players – Pino Palladino. Pino Palladino, left, with Blake Mills. D'Angelo's Voodoo - A classic album with incredible bass lines from Pino Paladino. He attended a Catholic school. His groundbreaking bass work on the 1983 album No Parlez culminated in a truly mesmerizing piece of fretless playing on Paul Young’s cover of Marvin Gaye’s ‘Wherever I Lay My Hat.’. ... His work on D’Angelo’s Voodoo slab in 2000 reignited interest in the fretted Fender Precision bass which continues well into the present day. They released the album Try!, on 22 November 2005. In 2009, he formed a trio with keyboardist Philippe Saisse and Simon Phillips. Typical of this style was his playing on Paul Young's Wherever I Lay My Hat. Erykah Badu. While it was typical for a bass in a commercial track to have a rather generic sound and stay "playing the low notes", Palladino preferred a different sound, combining fretless tone with an octaver effect, and basslines that frequently added chords, lead lines, and counter-melodies in the higher range of the instrument. Pino Palladino’s resume is a who’s who of pop/rock music – he’s played with The Who, Paul Simon, Jeff Beck, John Meyer, D’Angelo, Erykah Badu, Eric Clapton, Paul Young, Pete Townsend, Elton John, Paul McCartney…the list goes on and on. [6], In 1982, Palladino recorded with Gary Numan on the album I, Assassin. His equipment at that time included a fretless 1979 Pino's bass line on that track is soooo smooth, he makes it very clear that you do not need to be Black to have Soul. Just check out the amazing chemistry between Pino, John and Steve on "Who do you think I was" to say it's a perfect demonstration of how in the pocket a trio can be would be an understatement, and please, let's just give it up for Steve Jordon on this one, surely one of the coolest drummers in history. King, Pino caught the attention of neo-soul artist D’Angelo who was looking for a certain bass sound for his new album, Voodoo. In 1991, he joined The Law with Paul Rodgers, formerly of Bad Company, and drummer Kenney Jones, who succeeded Keith Moon in The Who after Moon died, and recorded the album The Law. A bass player that is happiest in the background simply holding down the lowend and making the band, well, groove. In an interview with the Guardian, Pino opened up about this part of his career. He has also played Fender Jaguar Bass, Lakland Jazz Bass, and Larry Graham Signature JJ-4B Bass. Released 25 January 2000 on Virgin (catalog no. D'Angelo composed all of the bass lines for Voodoo and sequenced them for Welsh bassist Pino Palladino, whom he had met after being asked to do a duet with B.B. Love Pino, but I could not get into the D'Angelo albums. He and D’Angelo discovered a mutual love for classic soul and jammed together for an unconscionable amount of time preceding and during the recording of Voodoo—with Pino providing many of the gut-swinging bass lines on the hit record. Countless tours and stadium gigs followed, with the band’s chemistry captured brilliantly on the 2005 live album, Try! He used his 1963 Sunburst Fender Precision on Voodoo, using heavy gauge LaBella strings (tuned down to DGCF), a foam mute, and an Ampeg B-15 amplifier. It would not be his first uncredited Grammy performance. He used his 1963 Sunburst Fender Precision on Voodoo, using heavy gauge LaBella strings (tuned down to DGCF), a foam mute, and an Ampeg B-15 amplifier. In March and April 2006, Palladino toured with Jeff Beck and played with J. J. Cale, and Eric Clapton on their 2006 album The Road to Escondido. I'm pretty sure Pino uses Jamerson La Bella flats on his '63 P-bass which he tunes down BEAD or something like that. Aside from his StingRay, Pino’s fretless sound also became synonymous with a Boss 0C-2 octave pedal, which can really be heard on Paul Young’s I’m Gonna Tear Your Playhouse Down. In the 1990s, Palladino alternated between fretless bass and fretted and 4-string and 6-string bass. According to Jordan, he had planned to meet up with John Mayer and Willie Weeks in January 2005 to perform Tsunami Aid: A Concert of Hope for victims of the tsunami that struck southeast Asia. As the word spread throughout the genre, Palladino found an increasing demand within the neo-soul genre. King album, and was apparently pretty enamoured. Elton John. [11] Palladino appeared on Mayer's third album Continuum, fourth album Battle Studies and seventh album The Search for Everything. They even show up in his Fender Custom Shop Pino precision. Featured peformers: D'Angelo (vocals, executive producer, producer, instruments), Dominique Trenier (executive producer, manager), Russell Elevado (recording engineer, mixing), Steve Mandel (assistant … Pino Palladino was finishing up his bass parts on a Common album when a request came as a bolt from the blue: Could he join The Who this weekend? In addition, Mayer, Palladino, and Jordan are credited as songwriters on three songs: "Good Love Is on the Way", "Vultures", and "Try!". And here you can hear that soloing is not something he only saves for his 5 string, as he weaves his way around his trusty Musicman 4 string with ease. After recording an album with Tom Jones and B.B. King at one of the earlier Voodoo sessions. He played with Simon and Garfunkel on their Old Friends reunion tour. Pino isn't on Brown Sugar. King, Pino caught the attention of neo-soul artist D’Angelo who was looking for a certain bass sound for his new album, Voodoo. He liked Led Zeppelin and Yes and started a rock band. In 2012, he toured with The Who on their Quadrophenia revival. It's a cover of the great Roberta Flack tune called, "Feel Like Makin' Love." The result was an invitation to «use Pino’s big, behind-the-beat bass to help cast a neo-soul spell on his Grammy Award-winning Voodoo album». Pino met D’Angelo while he was playing with B.B. It's important to include that Pino recorded most of Voodoo on a '63 Fender P Bass, with heavy-gauge La Bella strings (à la James Jamerson) tuned down a whole-step. Here's Pino demonstrating the famous intro to that track. Palladino was asked by D'Angelo to learn and improvise the bass arrangements on … Hailed by many as the British Jaco, his early recordings with Paul Young put expressive fretless bass playing back on the map. Clapton. Following this, he was asked to contribute to Paul Young's debut album. ℗ 2000 except tracks 3 and 12 ℗ 1999 and track 2 ℗ 1998 This was followed by a stint with synth-pop star Gary Numan, before getting his big break as a member of Paul Young’s band. [15], Learn how and when to remove this template message, "Review: At 50, The Who brings it full circle". He also plays a Moon Bass, which he used extensively for the D’Angelo Voodoo tour back in 2002. The body features faded fiesta red paint over desert sand paint, based on Palladino's 1961 Precision Bass, while the neck shape and round-lam rosewood fretboard are based on his 1963 sunburst Precision Bass. April 30, 2015 by Paul Wolfe. Palladino rose to public notice playing primarily rock and roll, blues rock, and rhythm and blues music, although he has been lauded for his ability to play most genres of … D’Angelo heard Pino’s work on a live B.B. Weeks was unable to make the performance, and Jordan suggested Palladino, who had heard some of Mayer's work and was willing to come. Here's a technique I first heard the legendary bass player Pino Palladino using on D'Angelo's album 'Voodoo'. Pino Palladino’s highly-anticipated album with producer and multi-instrumentalist Blake Mills is now available on multiple platforms.Notes With Attachments marks the bass legend’s debut as a co-leader, though the record was originally conceived as a solo effort. If you discuss influences with any R&B, pop or jazz electric bassist, I guarantee that the name Pino Palladino will appear 99.9% of the time. This became his signature sound throughout the era, one that he has returned to in the past five years with his trio PSP. But mistakes and wasted time is far more costly. He stopped touring with The Who in 2016, but is still occasionally involved in studio sessions, appearing on their 2019 album titled Who. Every time Pino Palladino has reinvented himself as a player the bass world has followed and the music he is supporting has prospered. Pino Palladino (17 October 1957 in Cardiff, Wales, UK) is a Welsh bass guitarist of Italian ancestry. "When Jools Holland came to lunch we knew our Pino was star", "Songwriter/Composer: PALLADINO GIUSEPPE HENRY", Where the Light Is: John Mayer Live in Los Angeles, My Generation / The Who Sings My Generation, The Who & Special Guests: Live at the Royal Albert Hall, 2001 The Concert for New York City appearance, https://en.wikipedia.org/w/index.php?title=Pino_Palladino&oldid=1021019301, Wikipedia indefinitely semi-protected pages, Short description is different from Wikidata, BLP articles lacking sources from September 2013, Infobox musical artist with missing or invalid Background field, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with WORLDCATID identifiers, Wikipedia articles with multiple identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 2 May 2021, at 12:58. While you can achieve the “Pino" sound on any instrument, many bassists attribute the extra Voodoo voodoo to these gear choices. Pino has played a number of basses during his career, but his trademark fretless sound came from his much loved Music Man StingRay, which he bought from Sam Ash music in NYC. He used that bass and that tuning on D'angelo's Voodoo. King album, and was apparently pretty enamoured. It sounded like more of a hum/rumble than a tone with discernable notes. His equipment at that time included a fretless 1979 Music Man StingRay Bass and Boss octave pedal (OC-2). He played with The Who at the Super Bowl XLIV half-time show in 2010 with Simon Townshend on guitar, Zak Starkey on drums, and John "Rabbit" Bundrick on keyboards. I really miss his singing StingRay fretless tone he had in the 80's. Pino's Fender Signature P-Bass
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